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By Mark Wigley

*A very, really nice colour scan.*

From the preface...

To flip one’s gaze upon New Babylon at the present time, on the shut of our century, is to come across one other international, the place shock and the excitement of the eyes mingle with innumerable questions, insights, and speculations. New Babylon was once the point of interest of continuous Nieuwenhuys’s task from 1956 to 1974. those very concrete dates surround the production of work, drawings, collages, lithographs, scale versions, and texts, forming the corpus that we now rediscover at Witte de With, heart for modern artwork. This rediscovery is stimulated through a severe method of the current, trying to keep away from a simply historic description of occasions from a earlier which, even if contemporary, is still charged with major paradoxes.

Constant is an artist who, with New Babylon, turns into one of many significant visionary architects of this century. either those domain names curiosity us this day: the artwork and its intentions, the expression and its content material, the picture and what it conveys, the textual content and the pedagogical method during which it's inscribed. The problem is to provide an artist whose complicated, hybrid paintings reveals no effortless category — specially within the current time of ideological flux, which permits us to complex new arguments and to shape judgments.

New Babylon constitutes the final accomplished formula of an idea of the hot guy, or larger, of a social house that enables for the emergence of an different guy, of a brand new lifestyle in neighborhood, in society. New Babylon is engaged with man’s event of the area — and therefore with the functionality of paintings — but additionally with politics, with the values and tools that we forge for our interplay with the realm. Deeply rooted within the avant-garde culture which, on the outset of this century, produced such a lot of proposals for the renewal of society, New Babylon bargains a pointy distinction with the shut of our century, while the means to visualize the area otherwise has considerably declined. the following, then, is a primary exciting query: what this day is still of our capability to reinvent the realm?

With this exhibition and monograph we search to create a double impression. First, to provide the joy of considering an oeuvre of remarkable caliber which, given that its final entire presentation within the Haags Gemeentemuseum in 1974, has in simple terms reached the general public via fragmentary shows (at the Centre Georges Pompidou in Paris, with the exhibition at the passage of a f ew humans via a slightly short second in time: the Situationist overseas, 1957-1972 in 1989; and on the Museu d’Art Contemporani in Barcelona, with the exhibition Situationists. paintings, Politics, Urbanism in 1997). moment, to recuperate and overview the impression that New Babylon may have within the current, the place radicality, conviction, and audacity are infrequent.

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In N ew Babylon, everyone can at any second, in ly, appear to dilate. yet this intensification o f house is barely been perceived, liked and used, at the ‘new manner o f anywhere, adjust the atmosphere by way of adjusting the sound vol­ attainable as a result of artistic use o f technical ability —a use having a look’ at them. And while a 3rd or fourth individual comes ume, the brightness o f the sunshine, the olfactive atmosphere or that we, who reside in a society the place use has a finality, can to take his position along the others, the location —being the temperature. may still a small workforce input an area, then hardly ever think. extra com plex — escapes the keep watch over o f any o f the folks the ordering o f that area can develop into whatever else. by way of to reach existence is to create and re-create it continuously. current. because the quantity o f viewers steadily raises and articulating many small areas, you'll be able to create an area o f guy can purely have a existence valuable o f himself if he himself the composition o f the gang alters, com plexity additionally in­ extra plentiful dimensions, or vice versa. it is easy to additionally swap creates. whilst the fight for life isn't any m ore than a creases, whereas the person keep watch over o f area decreases. the shape o f an area with new entrances, or through blockading the reminiscence, he w sick find a way, for the 1st time in heritage, to The collective use o f area involves qualitative swap in view that outdated ones; by means of including or elimination stairs, bridges, ladders, freely dispose o f the total o f his lifestyles. He w unwell have the option, in it has a tendency to lessen passivity. The task of the occupants o f ramps, and so forth. With a minimal o f attempt, you possibly can arrive at whole freedom, to provide his life the shape o f his de­ an area is an essential component o f the atmosphere that, being stat­ any wanted amendment. in addition, one has handy a var­ sires. faraway from final passive towards an international during which ic, turns into dynamic. In a social house the place the quantity ied diversity o f walls o f assorted fabrics, textures and he's content material to conform himself, for higher or worse, to e x ­ o f members is perpetually altering, besides the rela­ colours; assorted too of their thermo-acoustic characteristics. ternal conditions, he could aspire to making one other tions among them, every individual is triggered to the steps, bridges and pipes are themselves o f diversified con­ one within which his liberty is learned. so that he might switch his own atmosphere. a majority of these impulses, introduced struction and shape . throughout the mixture o f abnormal, create his lifestyles, it really is incumbent on him to create that global. jointly, symbolize a strength that glaringly acts at the o r­ slightly achievable surfaces, o f gentle ramps, slender pas­ And that construction, just like the different, includes an analogous uninter­ dering o f house, and in N ew Babylon, the place house is public, sages, acute angles, and so forth. , definite areas develop into selective. rupted succession o f re-creations. it acts consistently. area in its entirety w sick therefore put up this could be the case with these one will get to by way of a rope lad­ N ew Babylon is the w ork o f the N ew Babylonians on my own, to the main unforeseen affects, and you may think der or pole, and for you to be the favourite locations o f youngsters the product o f their tradition.

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